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1604-VLZ3

MACKIE

  

¿Ï¼ºµµÀÇ Çâ»óÀ» À§ÇØ ¾î¶»°Ô ÇÒ °ÍÀԴϱî?
¸ÆÅ°ÀÇ 1604-VLZ3´Â °ß°íÇÑ ½Å·Ú¼º°ú ½¬¿î »ç¿ë¹ý, »ç¿îµå Ç°ÁúÀÇ ¿ì¼ö¼ºÀ¸·Î Àü¼¼°èÀÇ ¼ö¸¹Àº ¿Àµð¿À Àü¹®°¡µé¿¡ ÀÇÇØ ¿À·§µ¿¾È »ç¿ëµÇ¾î¿Â Á¦Ç°ÀÔ´Ï´Ù.
¼ö¸¹Àº ÀÛ¾÷¿¡ 1604°¡ »ç¿ëµÇ¾ú½À´Ï´Ù. ¿ì¸® ¿£Áö´Ï¾î¸µ ÆÀÀÇ Á¦Ç°µéÀÇ ºÐ¼®°ú ¼ö¸¹Àº ³ë·ÂÀ¸·Î ÀÌÁ¦±îÁö º¸±â Èûµç ÄÜ¼Õ Á¦Ç°À» ¸¸µé¾î³Â½À´Ï´Ù : ¸ÆÅ°ÀÇ 1604-VLZ3ÀÔ´Ï´Ù.
±âÁ¸ Á¦Ç°ÀÇ Æ¯Â¡°ú ±â´É¼ºÀº À¯Áö¸¦ Çϸ鼭, »õ·Î¿î ¿£Áö´Ï¾î¸µ ÀÛ¾÷À¸·Î 1604-VLZ3´Â ´õ ³ôÀº Çìµå·ëÀ» °¡Áö°Ô µÇ¾ú½À´Ï´Ù.
¾ðÁ¦¶óµµ ¸ØÃâ ¼ö ÀÖÁö¸¸, ¿Ïº®ÇÔÀ» À§ÇØ Áö¼ÓÀûÀ¸·Î ³ë·ÂÇÏ°í ÀÖÀ¸¸ç Mix bus¿Í ¹ßÀüµÈ EQ, ´õ Á÷°üÀûÀ̸ç À½¾ÇÀÇ ´À³¦ÀÌ ´õ ÁÁÀº Á¦Ç°À¸·Î Àç µðÀÚÀÎ µÇ¾ú½À´Ï´Ù.
Ŭ·´ÀÇ ¶óÀÌºê ¹Í½ÌÀÌ ÇÊ¿äÇϰųª ¶Ç´Â °¡Á¤¿ë ȤÀº ½ºÆ©µð¿À ·¹ÄÚµù¿¡¼­ ¿ÏÀüÇÑ ±â´ÉÀ» ¸ðµÎ »ç¿ëÇÏ´Â Àü¹®°¡µçÁö ÀÌ »õ·Î¿î ÄܼÖÀ» »ç¿ëÇØ º¸±â ¹Ù¶ø´Ï´Ù.
±×·¸´Ù¸é ´ç½ÅÀº ÀÌ Á¦Ç°ÀÌ ¿Ïº®ÇÏ´Ù°í ´À³¢°Ô µÉ °ÍÀÔ´Ï´Ù.
VASTLY SUPERIOR XDR2¢â MIC PREAMPS
¿ì¸®ÀÇ »õ·Î¿î XDR2(Extended Dynamic Range)´Â ±âÁ¸ Á¦Ç°º¸´Ù ´õ ÁÁÀº 2¼¼´ë ¸¶ÀÌÅ© ÇÁ¸®¾ÚÇÁ ÀÔ´Ï´Ù.
°³º° ¸¶ÀÌÅ© ÇÁ¸®ÀÇ THD´Â 0.0007% º¸´Ù ³·À¸¸ç, Àüü mixÀÇ THD´Â 0.0025% º¸´Ù ÀûÀº ±ØÈ÷ ³·Àº ³ëÀÌÁ º¸ÀÔ´Ï´Ù.
ä³Îº°·Î 60dBÀÇ °ÔÀÎ Á¶ÀýÀÌ °¡´ÉÇÏ°í, ±Øµµ·Î ÀûÀº ¼Ò¸®¿¡¼­ °íÇÔ°°Àº Å« ¼Ò¸®±îÁö ¸ðµÎ Á¶ÀýÀÌ °¡´ÉÇϸç ÀÔ·Â ·¹º§À» +22db±îÁö À½»öº¯È­¾øÀÌ Á¶Àý °¡´ÉÇÕ´Ï´Ù.
ÀÌ °¡°Ý´ëÀÇ ¹Í¼­¿¡¼­ ´õ ÁÁÀº ¹Í¼­ ÇÁ¸®¾ÚÇÁ¸¦ ã±â¶õ ½±Áö ¾ÊÀ» °ÍÀÔ´Ï´Ù.
PROFESSIONAL FEATURES
Å©±â ¶§¹®¿¡ ¼Ó´ÜÇÏÁö ¸¶½Ã±â ¹Ù¶ø´Ï´Ù.
1642-VLZ3´Â ¸¶ÀÌÅ© ä³Î¸¶´Ù °í±Þ ±â´ÉÀ¸·Î ä¿öÁ® ÀÖ½À´Ï´Ù : 75Hz Low-Cut filters, 4 Aux Sends, Àμ­Æ®, ÆÒÅÒ ÆÄ¿ö, ¿ì¼öÇÑ Pan ÄÁÆ®·Ñ°ú OL(overload)¿Í LED ½ÅÈ£ ·¹º§±â, ¼­ºê ±×¸®°í ¸ÞÀÎ ¹Í½º ¼±Åà ½ºÀ§Ä¡¿Í ÁöÁ¤ °¡´ÉÇÑ AFL/PFL Solo ½ºÀ§Ä¡ ±â´É.
±×¸®°í Áö±Ý±îÁö º¸±â Èûµé¾ú´ø ¼ö¸¹Àº Ãâ·Â ¿É¼Çµé, ¸ÅÆ®¸¯½º ¼Ò½º¿¡ Control Room/PhonesÀ» Á¦°øÇÏ¸ç ¸ð´ÏÅÍ¿¡ Master Aux SctionÀÇ EFX¸¦ ÇÔ²² º¸³»°í, Å×ÀÌÇÁ Ãâ·Â, ³ôÀº ÇìµåÆù ¾ÚÇÁ º¼·ý Ãâ·Â, ä³Î 1~8ÀÇ direct Ãâ·Â, balanced XLR°ú balanced/unbalanced TRS Ãâ·ÂµéÀÔ´Ï´Ù.
THREE-BAND EQUALIZATION WITH SWEEPABLE MIDS
ÁÁÀº ¹Í¼­¶ó¸é ³ôÀº Ç°ÁúÀÇ ÀÌÄ÷¶óÀÌÁ¦À̼ÇÀº ÇʼöÀ̸ç, °¢ ä³Î¸¶´Ù Æ÷ÇÔµÈ 3¹êµå Active EQ°¡ ¿ì¸®ÀÇ ³ë·ÂÀ¸·Î ³ª¿Ô½À´Ï´Ù.
ä³Î EQÀÇ ÃÖÀûÈ­¿¡ ¾öû³­ ³ë·Â°ú ÅõÀÚ¸¦ Çß½À´Ï´Ù.
°á°úÀûÀ¸·Î 80Hz ÀúÀ½°ú 12kHzÀÇ °íÀ½À» Á¶ÀýÇÒ ¼ö ÀÖ°Ô Çß½À´Ï´Ù.
ÁßÀ½Àº 2-¿ÁŸºêÀÇ °¡º¯ ÁÖÆļö Á¶ÀýÇÏ¸ç ¸ÂÃâ ¼ö ÀÖ½À´Ï´Ù.
ÀÌ·¯ÇÑ ±â´ÉÀ¸·Î ÁßÀ½Àº 100Hz¿¡¼­ 8kHz±îÁö 15dB¸¦ cutÇϰųª boostÇϸ鼭 sweep°¡ °¡´ÉÇÏ°Ô µË´Ï´Ù.
ÀÌ·± ºÎ°¡ÀûÀÎ °ÍÀº À¯¿ëÇÏ°í, »ç¿ë¼º ÁÁÀº ÀÌÄ÷¶óÀÌÁ¦À̼ÇÀº È®½ÇÈ÷ ÀÚ¿¬½º·¯¿î ½ÅÈ£·Î ¸¸µé¾î ÁÝ´Ï´Ù.
SPLIT-MONITORING
Split monitoring¿Í ÇÔ²², º¸Äà ¸¶ÀÌÅ©¿Í µå·³ ¸¶ÀÌÅ© ¿ÜÀÇ »ç¿îµå ¼Ò½º¸¦ óÀ½ 8ä³Î¿¡ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
°Å±â¼­ºÎÅÍ »ç¿îµå¸¦ ´Ù·ç´Â ä³ÎÀÔ´Ï´Ù. ÇÏÁö¸¸ Ãâ·ÂºÎ¿¡ ÁöÁ¤ÇÏÁö´Â ¸ø ÇÕ´Ï´Ù.
´ë½Å ä³ÎÀÇ direct out ÀèÀ¸·Î ÆÐÄ¡µÈ ¸ÖƼƮ·¢ ÀÔ·Â( Direct Out1Àº multitrack ÀÔ·Â 1, 2´Â 2, 3Àº 3¿¡ °¢°¢...)¿¡ ´ëÀÀµË´Ï´Ù.
½ÅÈ£µéÀº ¸ÖƼƮ·¢À» ÅëÇؼ­ ·¹ÄÚµù µÇ°Å³ª Åë°úÇÏ°Ô µÇ°í, ÀÌ°ÍÀº °¢ ä³ÎÀÇ ·¹ÄÚµù Áغñ »óÅ¿¡ µû¶ó¼­ °áÁ¤µË´Ï´Ù.

¸ÖƼƮ·¢ÀÇ Ãâ·ÂµéÀº 1601-VLZ3ÀÇ ´ÙÀ½ 8°³ÀÇ Line ÀԷµ鿡 patched µË´Ï´Ù.
¾Æ! ¾î°¼­ ä³Î 9¹øÀÇ ÆäÀÌ´õ¸¦ "TRACK1"À̶ó°í ºÎ¸£´ÂÁö, ä³Î 10¹øÀ» "TRACK2" ±âŸ µîµî...
ÀÌ·¯ÇÑ (9~16¹ø)ä³ÎÀº ¹Í¼­ÀÇ Ãâ·ÂºÎ¿¡ ÁöÁ¤µÉ ¼ö ÀÖ°í, ÃÖÁ¾ÀûÀÎ Á¾ÂøÁö·Î ½ÅÈ£¸¦ º¸³¾ ¼ö ÀÖÀ¸¸ç 2Æ®·¢ ¹Í½º´Ù¿îÀÌ °¡´ÉÇÏ°í, ÄÁÆ®·Ñ ·ë ½Ã½ºÅÛ ¶Ç´Â ÇìµåÆù - ¿Ïº®È÷ ÆÄ¿öÇ®ÇÑ 8-Æ®·¢ ·¹ÄÚµù ÄܼÖÀ» ¸¸µé ¼ö ÀÖ½À´Ï´Ù.
ROTO-WHAT?
¿ì¸®ÀÇ µ¶Ã¢ÀûÀÎ Rotopod VLZ´Â ´Ù¸¥ ¹Í¼­µé°ú´Â ´Ù¸£°Ô 1604-VLZ3´Â ¾öû³­ ¼öÀÇ diversity¸¦ Ãß°¡Çß½À´Ï´Ù.
ÀÌ ¿É¼Ç Rotopod´Â ¸ðµÎ öÀç·Î Á¦ÀÛÇÏ°í ¸¶°¨µÇ¾ú°í 1604ÀÇ ÆÐÄ¡º£ÀÌ¿¡ 3°¡Áö Æ÷Áö¼ÇÀ¸·Î ȸÀüµÉ ¼ö ÀÖ½À´Ï´Ù. Rotopod kit¿Í ÇÔ²² Á÷¸éÇÑ Àè¿¡ »ç¿ëÇÏ¿© µ¥½ºÅ©Å¾¿¡ 1604¸¦ ¼¼ÆÃÇÒ ¼ö ÀÖ°í, ¶Ç´Â Ãâ·Â(Ç¥ÁØ, right out of the box).
·¢ ¸¶¿îÆ® ¼³Ä¡¸¦ À§Çؼ­, Rotopod´Â ·¢ÀÇ ¾Õ, µÚ¿¡¼­ Æí¸®ÇÏ°Ô patchbay¸¦ »ç¿ëÇÒ ¼ö ÀÖµµ·Ï ¸¸µé¾î ÁÝ´Ï´Ù.
¸ÆÅ°ÀÇ Rotopod¿Í ÇÔ²², ´ç½ÅÀÇ ÇÊ¿ä¿¡ µü ¸Â´Â À§Ä¡·Î patchbayÀÇ À§Ä¡¸¦ Á¶Àý ÇÒ¼ö°¡ ÀÖ°Ô µË´Ï´Ù.
BUILT MACKIE TOUGH
¸ðµç VLZ3 ¹Í¼­´Â °ß°íÇÏ°Ô ¸¸µé¾îÁ³½À´Ï´Ù.
¿ì¸®ÀÇ ÀüÅëÀûÀÎ solid-steel ¼Î½Ã´Â µÚƲ¾îÁüÀ̳ª Á¦Ç°À§ÀÇ Ãæ°Ý µî ¶æÇÏÁö ¾ÊÀº À§Çè ¿ä¼Ò¸¦ °ßµô ¼ö ÀÖ°Ô ¼³°è µÇ¾ú½À´Ï´Ù. Àú·ÅÇÑ ºÎÇ° ´ë½Å¿¡ unsealed potentiometers, Á¦Ç°¿¡ Çϳª·Î Á¦ÀÛÇÑ Æ²À» »ç¿ëÇÏ°í, ¿ÜºÎ Ãæ°Ý°ú ¿ä¼Òµé·ÎºÎÅÍ º¸È£µË´Ï´Ù.
¿ì¸®ÀÇ Á¶Á¤ KonbÀº ¼Î½ÃÀÇ Ç¥¸éÀ» "ride"Çϵµ·Ï µðÀÚÀÎ µÇ¾ú½À´Ï´Ù.
¸¸ÀÏ ¾î¶°ÇÑ ¹°°ÇÀÌ ¹Í¼­·Î ¶³¾îÁö°Å³ª Ãæ°ÝÀÌ ¼Î½Ã¸¦ ÅëÇØ konb¿¡ Àü´ÞµÇ´õ¶óµµ ³»ºÎÀÇ È¸·Î³ª Àü±âÀûÀÎ ¹®Á¦°¡ ¾øµµ·Ï Á¦Á¶ µÇ¾ú½À´Ï´Ù.
¼öÁ÷À¸·Î ÀåÂøÇÑ À¯¸®¼¶À¯ PC º¸µåÀÇ °­µµ¸¦ ÀÌ¿ëÇÏ¿© Ãæ°Ý¿¡ °ßµðµµ·Ï ÇÏ°í Ãæ°Ý¹æÁö¸¦ ÇÒ ¼ö ÀÖ´Â ±¸Á¶·Î ¹öƼ°í ÀÖ½À´Ï´Ù.
°¢Á¾ ÀÚ¿¬ÀçÇØ ¼Ó¿¡¼­µµ »ì¾Æ³²À» °ÍÀ̸ç ÄܼÖÀ» ´øÁ®¹ö¸°´Ù Çصµ ±× ÈÄ¿¡ »ç¿ëÀÌ °¡´ÉÇÒ °ÍÀÔ´Ï´Ù.
SUPERIOR SOUND QUALITY
¹«¾ùº¸´Ù 1604-VLZ3ÀÇ ¶Ù¾î³­ »ç¿îµå Ç°Áú, ³ÐÀº ´ÙÀ̳ª¹Í ·¹ÀÎÁö, ³ôÀº Çìµå·ë°ú ¾ÆÁÖ ³·Àº ³ëÀÌÁî, Àü¹®°¡ Ç°ÁúÀÇ ·¹ÄÚµù°ú ¹æ¼Û±¹ Ç°ÁúÀÇ soundtrackÀ» ¸¸µé ¼ö ÀÖ½À´Ï´Ù.
¹«´ëÀÇ ¼öÁØ ³ôÀº Ç°ÁúÀÇ 16ä³Î ¹Í¼­°¡ ÇÊ¿äÇϵç, ½ºÆ©µð¿À ȤÀº ¿ÜºÎ Çà»ç¿¡µµ 1604-VLZ3º¸´Ù ´õ ¿Ïº®ÇÑ Á¦Ç°Àº ã¾Æº¸±â ¾î·Á¿ï °ÍÀÔ´Ï´Ù.


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New ultra-low noise VLZ3 design with highest possible headroom
16 studio-grade XDR2¢â Extended Dynamic Range mic preamps with:
- Ultra-wide 60dB gain range
- 130dB dynamic range
- +22dBu line input handling
- Extended low frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
- Phantom power for studio condenser mics
16 high-headroom line inputs, 16 channel inserts
Advanced DC pulse transformer RF rejection
60mm long-wearing logarithmic-taper faders
4 Aux sends, level, pan, -20dB/Solo and Overload/Mute_LEDs on each channel
4 stereo Aux returns, 8 Direct outs, 4 Group/Bus outputs
3-band Active EQ with sweepable midrange
18dB/oct. 75Hz Lo-Cut filter
Control Room/Phones multi-input source matrix
Balanced 1/4" inputs and outputs (except inserts)
Rack-mountable design with three physical configurations via rotating I/O pod
Sealed rotary controls to resist dust and grime
New Multi-Voltage power supply for worldwide use
Rugged steel chassis
Includes Tracktion 3¢â Music Production Software for Mac or PC